![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiID0nS2A-Huv9IqzNmGlhZb4Rg6YsB7FXXs9JIhgsTPY3sckJsACc9Iu3jPuj_WEGo9AaGe49R_NzcmK0UzMyePd5TXkbX_NB-pmgVtZiO_a2kT_9YQ8D_Hmj1Rz-QZLYmXK3-/s1600/2014-05-15+18-48-23.JPG) |
Nikon D4, Sigma 70-200mm, ISO 12800, ƒ/3.2, 1/80 optical stabilization on |
I love to watch people and especially across the room. The lens that captures these moments the best for me is the
Sigma 70-200mm f/2.8 EX DG APO OS HSM for Nikon. Up to 4 Stops of Optical Stabilization makes hand holding the lens possible in low light, which I was shooting in tonight.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsVA2jOJHGb18zE2KXURQ5U7H5LcFcqaZLzoc3mpRg4D3CGJ7PmXU8YYIA8hzznOMiXvZTc5NSHNvDj1Wpq_anUbY1JWk1qrFr-49OzCNPGBVT7-s4ErLRL6BZ6pEJp_CEu3NT/s1600/2014-05-15+17-48-15.JPG) |
Nikon D4, 85mm ƒ/1.4 , ISO 450, ƒ/1.4, 1/100 |
I tried to work the room with the Nikon 85mm ƒ/1.4 but I felt like the lens was too loose most of the time and since I was further away the depth-of-field actually was as silky smooth to me as with the Sigma 20-200mm because I was able to shoot at 200mm and therefore compressed the background.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTEu17cKNJy_NVzY5RgI2SkjhUY0flhvDGKFD1uDaNZul4I1W03_atBrWBz41ZZkocxOuSWhLs4wrb3pW094Wth49j9sa9qIq3Hzimzza3y5w_dKAethkftWiJYrT5lOSiXGtH/s1600/2014-05-15+18-48-58.JPG) |
Nikon D4, Sigma 70-200mm, ISO 12800, ƒ/3.2, 1/50 optical stabilization on |
The cool thing shooting at 200mm and wide aperture gives the shallow depth-of-field making the subject pop out from the room.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVYr8VEU11qrRfKVz5gthqT6XlbTuk_0Qwn_24SEUw_riVREDhAzxlU50Rl0OK3UcXc4_ZzOSH2pwzTdEqUCcdTxdn291WfTutV1pPW2w5k1Bm7Lk_EN-Zoxx0I4kU1AG1nrRF/s1600/2014-05-15+18-42-51.JPG) |
Nikon D4, Sigma 70-200mm, ISO 12800, ƒ/2.8, 1/60 optical stabilization on |
While technically the subject is separated from their environment you now must wait for a moment where you capture the personality of the person. Having a technically great photo isn't what make the photo, but just merely helps. It still comes down to capture the moment.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2xqhTxbk8DpRbXeecYCvqKr3p1rArd_6rA90UVpbUWbJ149tG7QRBS0yqt3B9vhUBCbP8QjfSYRMcOaaVrKnbazanap165EofPSfJirKZyYmcc8Nq5Fl-J1Y91hXuDMPgRgEA/s1600/2014-05-15+18-42-56.JPG) |
Nikon D4, Sigma 70-200mm, ISO 10000, ƒ/2.8, 1/100 optical stabilization on |
Now while I am shooting all these photos the people are aware of me, but I have been working the room for a while. I started with 14-24mm and introduced myself to people getting them to know I am here and taking photos.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWxA88OKExaUvNPUYhk3mAjpX_XE0IHhVXIAckT1_0egFGMv6ejmaF3VLV19rc0AkkW08PjhFkU9r1RQE3a4rZB_CBEOpXaCPkXW-UoVrm52-fPhjoGYyVDfBRreeFUa_ib4Jd/s1600/2014-05-15+18-51-14.JPG) |
Nikon D4, Nikkor 14-24mm, ISO 12800, ƒ/3.2, 1/100 |
Shooting a full-framed image like the one above here with the 14-24mm put me less than a foot from the subjects. After shooting these I then start shooting the tighter shots with the longer lens. I am now further away and picking moments.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl6P7q2RYFOaDiNwgjr97HGvqqDFKO6kdOeVNA0VatknzWULX_-WUZWkkw4YojTyFjrm8Kj4260fFbaiKpGGDG7uLW9-aN65HMGcHm_du58t-kjZIFnJqv8YibA4UcaLRdWKLA/s1600/2014-05-15+19-10-06A.JPG) |
Nikon D4, Sigma 70-200mm, ISO 9000, ƒ/3.2, 1/100 optical stabilization on |
Now people are more relaxed at the party. They are now into conversations and enjoying one another. This is when I get the really good expressions.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPCVJDf-6_d2Cxt9lbOjr8C7OT19OEiEuOGVjOneurZAhofD4QK5z7ouTSCW2SYjC6GR26O_6E-k0uoS6AfnEpAEO82DzwLoemYmlltG3qNA-t2hcfOWJSvQs4i4VDtIqdF3w9/s1600/2014-05-15+18-43-12A.JPG) |
Nikon D4, Sigma 70-200mm, ISO 12800, ƒ/2.8, 1/100 optical stabilization on |
I love also create a layering effect by having something in the foreground and background. I think this helps give more depth to the photo even with the foreground and background out of focus.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTI_uVbuyd6YBpv_6-XONhVPLL6K4xLWDTZHMk698HyGYbZIiowC4TFdGbQNSM9DCbShv1zJr8-R4weFnPq61bNxfYxlUV1p1X-6Zb091lcIjGRDAC5b_UcHuwWoCIH7q_zKD4/s1600/2014-05-15+19-11-52.JPG) |
Nikon D4, Sigma 70-200mm, ISO 11400, ƒ/3.2, 1/100 optical stabilization on |
I love these expressions. They make you want to know what they are talking about.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmRiWa-7OPNmhps4t-VWbeVz3NwCEdeaA1t3-qq4Nm-DOZ48ZcWppsYbG7GHk_V0DZtpq1Le1fKLNS7k7WELSauRORN-T5sBqqyKF_oV1aHMx92FLXbIBXX3rHrLIfpVCb5JxM/s1600/2014-05-15+18-48-37A.JPG) |
Nikon D4, Sigma 70-200mm, ISO 12800, ƒ/3.2, 1/100 optical stabilization on |
I love shooting tight and isolating subjects, but remember when I am writing a blog like this I am teaching something. This is just part of the coverage, I have a great deal of wide-angle lens shots to help capture the context.
I think just about every photographer would benefit from a 70-200mm ƒ/2.8 lens in their bag. I love my Sigma 70-200mm.