Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1250, ƒ/8, 1/50 |
Editorial Note: Due to the contract signed to put on the play we cannot promote the name of the play until February 23rd. Another theater company is putting it on right now and has rights to PR and Advertising in our market.Now to give you a feel for the before and after here is a shot my wife took on her phone.
Yes we are shooting during the daylight. So you cannot get this photo with your smart phone or for that matter any camera.
This is about lighting and controlling it.
This is me earlier setting up 3 Alienbees B1600 flashes with CTO gels on the lights. The camera is white balanced for tungsten. This means wherever the flashes orange light hits will be neutral tone and give good skin tones. All the available daylight will now be blue.
Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2500, ƒ/6.3, 1/8000 |
You should notice the the shutter speed is 1/8000. To make this work I am using the PocketWizard TT5 on the flash with an AC-9 adapter plugging into the phone cord connection on the Alienbee B1600. This will let me shoot at any shutter speed. This is call high speed sync.
I have the PocketWizard TT1 transmitter with the AC-3 which lets me control the power of the flashes from the camera remotely. I just turn up or down the power from -3 to +3 in 1/3 increments.
There are three groups A, B, C and two Channels 1 & 2. Each flash was on a different group setting and all were on the same channel to fire at the same time.
Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2500, ƒ/5.6, 1/5000 |
Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2500, ƒ/7.1, 1/5000 |
Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2500, ƒ/6.3, 1/8000 |
Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2500, ƒ/6.3, 1/8000 |
Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 2500, ƒ/6.3, 1/8000 |
Nikon D4, Sigma 24-105mm f/4 DG OS HSM Art Lens, ISO 1600, ƒ/5, 1/8000 |
As you can see here we had to really work to get the right shot with the smoke. Often it was overpowering the photo.
Here is a view of the photo without the strobes going off.
Now you know how sometimes they film those night time scenes in so many movies.
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