The Package
This past New Year's Eve in front of a national television audience and a sellout crowd in the Georgia Dome, Clemson capped a dramatic come-from-behind rally with a last-second field goal to defeat LSU 25-24 in one of the most exciting match-ups in Chick-fil-A Bowl history.
While many watching it on TV were enjoying the thriller at the Dome those in Atlanta were able to participate in more than just the game that day.
We assembled a team of three photographers to cover the days events which started with the Chick-fil-A Parade at noon and ran till midnight with the trophy presentation.
photo by: Robin Nelson |
Audience?
One of the first things a photographer should be aware of for a coverage is who is their audience. Too many photographers shoot for themselves and sometimes this can work, but often this is what separates the seasoned pro from the amateur.
Our audience was the Chick-fil-A internal audience. We were not producing this package for the general public.
Purpose?
One of the most important questions to ask yourself is why are you doing a coverage. Our answer to this question was to inform the internal Chick-fil-A people as to why we do the Bowl each year.
Every year we try and tell this from a different perspective. One year we told the behind the scenes coverage of what it takes to produce 30,000+ sandwiches in a day.
One common theme is always there in the photos--Branding. You see for a company to buy media time (Advertisements) to run on National TV is very expensive. Time for the Super Bowl this year on CBS is running about 3.8 million for each 30 second spot.
However when a company sponsors an event their logo goes everywhere in the event.
photo by: Greg Thompson |
photo by: Greg Thompson |
With photos that would be in Sports Illustrated the audience is seeing how Chick-fil-A brand is part of a world class event. You need world class photography to help communicate it and not a snapshot.
Photo by: Greg Thompson |
More than a logo
photo by: Stanley Leary |
During the pre-game and post-game there is a Cow Parachute drop. As you can see from the photo the crowd loves this surprise. I remember the first time Chick-fil-A gave out the plush cows. There was a bad call, well for one of the teams fans and the cows were just flying onto the field. Now the cows they give out won't go that far as easily. It was great publicity the first time the cows were all over the end zone, but they couldn't continue that tradition.
photo by: Stanley Leary |
photo by: Stanley Leary |
Chick-fil-A also enjoys supporting our troops who are serving us with the ultimate gift of service.
photo by: Stanley Leary |
photo by: Robin Nelson |
In large events often agencies like Associated Press will only credit the photo with the agency name. This is because the reason one photographer has a shot and another doesn't is due to the roles they have assigned.
Some photographers will be assigned to be in one corner of the track for that just in case photo.
Our team did a great job this year of covering all the days events. We split it up and also overlapped in some of our coverage.
Individual shots vs package
I believe every time we do one of these packages that the larger package is more powerful helping tell the story than the individual photos by themselves. However, the key is strong individual images.
For all those who enjoy shooting sports if you do this professionally sooner or later you will be told that you need to turn around and stop facing the field the entire game--there is a lot more going on to tell the story than the center of the field.
Now there are many photographers who make another mistake when covering a big event like the Chick-fil-A Bowl--they forget the action on the field. You need all of it for the package.
My challenge to you is to shoot all your assignments like they are to be used in a package. If you do the client has the opportunity to produce a package. You also will be giving them more options.
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