Showing posts with label fireworks. Show all posts
Showing posts with label fireworks. Show all posts

Friday, July 04, 2014

Favorite 4th of July Photos

Nikon D100, Sigma 120-300mm ƒ/2.8, ISO 200, ƒ/8, 19 seconds [Emerald Isle, NC 2004]
I just wanted to share a few of my 4th of July photos through the years. I hope you enjoy them and also go out and make some photos for you to cherish through the years.

Settings and gear are below the images.

Nikon D2X, Sigma 15-30mm, ISO 100, ƒ/8, 19 seconds [The Fourth of July Fireworks over Lake Mohawk on July 3, 2005 in Sparta, New Jersey.]

Nikon D2X, Sigma 15-30mm, ISO 100, ƒ/8, 40 seconds [The Fourth of July Fireworks over Lake Mohawk on July 3, 2005 in Sparta, New Jersey.]
Nikon D3, 24-120mm VR, ISO 100, ƒ/16, 14 seconds [The Fourth of July Fireworks over Panama City, Florida, July 4, 2008]
Nikon D3, 24-120mm VR, ISO 100, ƒ/16, 11 seconds [The Fourth of July Fireworks over Panama City, Florida, July 4, 2008]

Tripod and Cable Release

I recommend using a tripod and a cable release.  This will keep the camera as still as possible during a long exposure.
This is the Nikon MC-30 that I have used for years on different Nikon Cameras.

Camera Settings
  • Manual
  • White Balance - Daylight
  • ISO 100
  • ƒ/8
  • Bulb Shutter-speed and keep open for two bursts of fireworks using cable release
My exposures were from 6 seconds to about 12 seconds on average. I typically might shoot 75 to 100 photos and only really like about 10 of those shots.

Saturday, August 09, 2008

Photographing Fireworks

Good fireworks photos have one thing in common - good foregrounds.

The fireworks are way up in the sky, of course, but what you put between you and the fireworks can make the difference between an okay photograph and a great shot.

During the 1976 Bicentennial Celebration at New York harbor some photographers used the Statue of Liberty in the foreground of their fireworks pictures. In Philadelphia some photographed the fireworks in the sky over Independence Hall. These pictures truly captured the mood and meaning of the celebrations because of the foregrounds chosen. 

Composition 

The most difficult part of using a foreground is balancing the exposure between it and the fireworks themselves. Since it is impossible to know the correct or preferred exposure for the fireworks it is impossible to know in advance how to balance the exposure for the foreground. While this may be done "on the spot" an assistant or two would be necessary because of shortness of time of the fireworks show. To solve this problem use a foreground object that will work as a silhouette.
 

Prior to the event try to find out where the fireworks will be launched. Then visit the site before the show and look around. Sometimes the best location could be really far away and shot with a telephoto lens.

Pick your spot carefully because there will not be time to move once the excitement begins.

It's hard to know how high the fireworks will go before they explode or how big they will be when they do. So after the first couple of shots check the composition. Make sure it's not too loose and the fireworks are too small or too tight that they are going outside the frame. 

Equipment and Exposure 

A sturdy tripod and a cable or remote release are needed for successful fireworks photographs.

Start with the camera on the lowest ISO (100 or less). Set the aperture at ƒ/8 or ƒ/11 and the shutter speed on bulb (this keeps the shutter open for as long as the shutter release is held down; hence the need or a cable or remote release to avoid camera shake).

A small flashlight is a nice addition to you equipment for the shoot.

Take a shot or two then check the exposure. It should be close, but tweaking it a little should make the colors pop.

Technique

As soon as you hear the sound of the firework being launched open the shutter and hold it open for two or three bursts before releasing it. Blues don't photograph as well as reds or greens, so hold the shutter open longer for a blue burst. For different effects change the length of time the shutter is open.

Out of around one hundred shots of a typical show twenty or so should be excellent photos.



The really cool thing about this - an expensive camera isn't needed. Any camera that accepts a shutter or remote release, can be set to "bulb" and has a tripod socket should work. Many of the point and shoot cameras will work nicely.

So check it out before show. Find a spot with a workable foreground. Take a plethora of pictures. Isn't digital great – no film cost!