Monday, October 12, 2015

Halloween Photography Tips

Coolpix P7000, ISO 400, ƒ/4, 1/7
Time for Halloween is just days away. This can be a fun time for photographers to document their kids through the years and get some fun photos.

Coolpix P7000, ISO 1061, ƒ/2.8, 1/280
Take the time and photograph your family getting ready for Halloween. Here I am with my daughter and her friend a few houses down from us as we take time to carve our pumpkins.

Coolpix P7000, ISO 1600, ƒ/3.2, 1/230
A couple of years I set up a background in our garage and took photos of the kids as they came by and then posted a gallery for them to get their photos. Many parents loved having nice photos of their kids.

Coolpix P7000, ISO 100, ƒ/8, 1/640
The reason I setup in the garage rather than our house is the parents could see their kids throughout the whole process and I got more photos. Had I requested people to come into our house I am not sure that would have gone as well.


This is a super simple setup. Two strobes pointed onto the white background. They are one stop brighter than the two lights that are on the subject.

This is when you don't know what everyone will wear and works reasonably well.

Nikon D3S, Nikon 24-120mm ƒ/3.5-5.6, ISO 200, ƒ/5.6, 1/80–Off camera fill-flash using the Nikon SB-900.  The Flash is on the Pocketwizard TT5 and being triggered by the Mini TT1 on the Camera with the AC3 to control the output of the flash. 
My daughter has a very creative imagination. One year she wanted to dress up as a princess of the enchanted forest. We went out in our backyard and I captured her where she loved to play, but now in her Halloween princess outfit.

This same year I took photos in my home studio that I setup in our basement.

Nikon D3S, Nikon 24-120mm ƒ/3.5-5.6, ISO 200, ƒ/16, 1/200
Some of the photos we like best through the years of our kids are from Halloween. They had so much fun dressing up and having fun with their friends.

Nikon D3S, Nikon 24-120mm ƒ/3.5-5.6, ISO 200, ƒ/5.6, 1/1600
Since my daughter's birthday is just a couple days after Halloween she has had many Halloween themed birthday parties. Here she is with her friends going putt-putt before going out for trick or treat later that evening.

Halloween Photography Tips


  • Take photos of your family getting ready for Halloween. Carving pumpkins or shopping for pumpkins on a farm
  • Setup a small studio or space to make Halloween photos. You may want to even create a small set.
  • Photograph your kid in a natural setting that compliments their theme for their costume

Saturday, October 10, 2015

Photographing The Citadel's Ring Day Weekend

Nikon D3, Sigma 120-300 mm f/2.8 DG EX APO IF HSM, ISO 6400, ƒ/3.5, 1/100

The Citadel Ring Day Weekend


This weekend is the time the seniors at The Citadel get their rings. Most cadets go through the ring with their parent and date. Here my wife is going through the ring with my step-son and his date.

Nikon D3s, Nikon 24-120mm ƒ/3.5-5.6, ISO 12800, ƒ/5.6, 1/80
I can tell you that you are better off shooting without your own camera flash. You are just too far away for it to really make a difference. You need a camera with and ISO of 6400 or higher to really get a good sharp photo.

You may want a lens that covers 50mm to 200mm if you stand down on the floor.

Tips:


  • Arrive early
  • Take test shots at different White Balance settings.
  • Custom White Balance is the best [blog on how to do that] Also the blog explains how to set presets as well.
  • Set ISO up high like ISO 6400 or higher. I shot the second photo at ISO 12800
  • Keep shutter speed up pretty high as well, so shoot wide open with your aperture
  • Make test shots and take a look 
Nikon D3, Nikon 24-120mm ƒ/3.5-5.6, ISO 6400, ƒ/3.5, 1/125–Two off camera flashes on either side of the camera.
Take photos other than going through the ring. Here I photographed them in the Quad of the Barracks. 

Nikon D3S, Sigma 120-300 mm f/2.8 DG EX APO IF HSM, ISO 6400, ƒ/2.8, 1/80
Good news is the afternoon before walking through the ring the seniors get their rings. Great time to practice in the same room they photos will be that night. Here my son helps with name pronunciation.

Nikon D3S, Sigma 120-300 mm f/2.8 DG EX APO IF HSM, ISO 3200, ƒ/2.8, 1/80
Here is he is getting the ring. Good news is when they are standing in the ring and walking down the carpet there are more lights on them. 

Nikon D3S, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 400, ƒ/8, 1/3200
You will shoot a lot of these photos of your cadet holding the ring close to the camera. Be sure your aperture is pretty high. Here it is ƒ/8. This helps keep their ring and faces in focus.

Nikon D3, Nikon 24-120mm ƒ/3.5-5.6, ISO 1000, ƒ/5.3, 1/60–Two off camera flashes on either side of the camera.
If you son/daughter isn't a senior this is a great time to practice a year or two earlier so that when your time comes you are seasoned. If you get great photos then you can share them with the other families.

We are grateful to have all these photos to remember our son's journey through The Citadel.

Friday, October 09, 2015

Dear Humanitarian photographer asking for money to complete your project

Nikon D4, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 400, ƒ/8, 1/100
We all love to have cool experiences. I am an adrenaline junky, which is a person with a compulsive desire for excitement and adventure. Now I can tell you early in my life they were saying "a bit of an adrenaline junkie, he appears to have no regard for his own safety" about how I lived life.

Numerous trips to the hospital as a young boy where I was getting stitched up on a regular basis or having a cast put on a limb that was broken. I even broke my neck and had to wear a body cast.

Today like many who have learned a lesson or two from being an adrenaline junky I too enjoy adventure. I love to travel and see different places of the world and encounter new cultures.

Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 100, ƒ/7.1, 1/500, off-camera flash with Nikon SB-900 triggered with the Pocketwizard TT1, ACS and TT5
As long as you have sufficient funds to do such traveling then just enjoy yourself. I also try to give my children these experiences because I think it helps them navigate this world much better than without those experiences.

Asking me to fund your experiences


I continue to come across many people who think they are doing something for a good cause and in reality it is a disguise for just them having someone else pay for "THEIR EXPERIENCE."

Don't be that person.

Nikon D4, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 900, ƒ/14, 1/250
Too many are that person that are doing missions and non profit work.  I think we need a TV Show like the Shark Tank but for those wanting funding for their non profit. This would help educate how many people are coming up with some pretty lame ideas.

What is very popular these days is for people to put up requests for money through things like gofundme.com. There are some excellent ideas that really do need funding and I am not slamming everyone asking for money.

Even others have written about how lame this is for many photo projects. Here is one blog post on it.

Point us to Why?


The key to having something that will most likely be fully funded and something that will not is most likely to do with the purpose of the funding. Too many people are asking us to fund them shooting and having fun. These projects should never be given money.

Which of these two statements for the purpose of a gofundme project would you support?
  1. Help us wipe out poverty in North Georgia
  2. Please help us with the film where we are raising the awareness of poverty in North Georgia
Your why is really stating of the problem that you are helping to solve.

Tell us your solution


The next important thing missing in many gofundme projects is the action plan for the audience. For storytellers using their skills to help inform people about a problem and then pointing them to the solution most of the time you will point them to an organization. This will help them see how for example a food program for school age children during the summer when they no longer have access to the free breakfast or lunches they have in school can make a difference in their health and help them get out of poverty.

A vetted solution

As a storyteller using your skills to help point the audience to how they can get involved it is important that you have done your homework and point them to a viable solution. Too many are having people give directly to the people who do not really have the skills to take that money and make wise choices. You might as well hand the guy on the corner begging a $20 bill and let them go and buy alcohol or drugs.

Giving to an organization that has a good track record and reports their budget as required by all 501 c 3 organization for example allows people to know how these organizations handle those resources.


One of the more successful programs that I have watched a few of my humanitarian friend photographers shoot for and help tell their story is Toms. Buy a pair of shoes for yourself and you buy a pair for a kid in a country that needs them. Buy a pair of sunglasses for yourself and give a pair of glasses to someone around the world in need. Simple tagline for what they do: One for One.


Check out Toms and study how they promote their idea and get people involved. They use a lot of videos and photography to tell their story. 



Notice how they have it in their menu how your purchases are helping and give you more ways to participate. They started with just shoes and now have expanded. The reason is simple, their concept was brilliant for nonprofit.

By buying their products with their logo prominently displayed on them you showed you were supporting their cause and created more people finding out about them.

WORST CHARITIES


There are watchdog groups who monitor those who raise funds for a charity. The bottom line is what people say they are raising those funds for need to primarily go to fund that since you are saying this is what you are doing. Take a look at these charities that are rated worst charities.

* Watchdog groups say no more than 35 percent of donations should go to fundraising costs. There is no standard for how much should be be spent on direct cash aid.

Fundraising costs are things like photography, multimedia and video projects.

The END GAME


Don't ask me to fund a process without you explaining the END GAME. The END GAME is the final stage of an extended process or course of events. If you are a humanitarian photographer then what you do is help tell stories and in so doing you help solve a problem by getting the audience involved.


If you cannot help me understand how your storytelling is going to help the people in the story then GO FUND YOURSELF!

Wednesday, October 07, 2015

Those who like film might also like classic cars for similar reasons

DROID TURBO by Motorola 64GB in Black Ballistic Nylon, ISO 50, ƒ/2, 1/307
Whenever I see a classic car like this Duesenberg 1935 SJ LaGrande Dual-Cowl Phaeton I too would love to have one.

Very few of the classic cars can compare to most modern cars for performance. However there are cult followings for these classic cars.


One of the reasons I love the Fuji X-E2 is it has a lot of the feel and design qualities of the Leica M6 that I used to shoot with years ago.

This is just my opinion, but I am finding those who are all about shooting film today are very similar to those who buy classic cars and love driving them. It is about the nostalgia more than it is about if it is truly better than digital.

All the research today shows that the dynamic range, sharpness and resolution of digital is superior to film.

You can even shoot digital and then in post processing make it look like you shot it on film. You can even buy those presets for Adobe Lightroom if you don't want to learn how to create the effect.

Why you might want to shoot film


Creativity is something that requires you to get into a zone and think beyond the boundaries. If you need to shoot film for you to be your best creatively then you need to shoot film.

You may even need to shoot film every once in a while just to get those creative juices flowing. Whatever the reason it is OK to shoot film.


Why I shoot with Nikon D4


As soon as the new Nikon D5 comes out I will most likely upgrade for the same reason I upgraded from the earlier pro Nikons. The new camera will give me some new capabilities to do things I could not do before.

The Nikon D3 was the game changer for low light photography. I could easily shoot at ISO 6400 and then the Nikon D4 gave me one stop more to ISO 12800.  The Nikon D5 is rumored to have a native high ISO of 102,400 and 4k video. This would be a 3–stop increase in ƒ-stops.

The last time I had a jump like this was when I went from the Nikon D2x to the Nikon D3. The D2Xs ISO 100—800, but the Nikon D3 ISO 200—6400. Those 4—stops was making all of the lenses in my bag increase by 4—stops.

To get the same ƒ–stop gains would require you to spend incredible amount of money. Just to increase those lenses would would 3 to 4 times what the present lens I own and most of those lenses just don't exist.

My creativity comes when I don't have to not shoot because there isn't enough light. If film gave me the advantage to do this over digital then I might be interested in shooting film.

Tuesday, October 06, 2015

How to create an online presence for your photo business

Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 5000, ƒ/2.8, 1/250
I just stopped by my online internet presence provider today while in New York City. My website is hosted through them. I also provide my images to my clients online through them. My clients can not only download images they can order prints and much more as I add those features to an online gallery.

I also am selling stock images of my own online and helping my mentor, who passed away, sell his images through my website as well. This is my way of helping out his spouse who still is active.

Join me on PhotoShelter

Now if you click on this link you will get a $15 discount as well as I get a small amount that helps support this blog.

Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 1250, ƒ/2.8, 1/250
Here I am with Kevin Davis, Director of Business Development, for PhotoShelter. I have referred many of my clients to use PhotoShelter's Libris product to organize their own in-house photo collections.

Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 12800, ƒ/8, 1/160
Many on their staff are shooters as well so they understand us photographers. This morning I was helping with a client's Libris account and called and talked to Jon. He is in the hat closest to the wall.

Jon solved my problem in just a couple of minutes. I had not correctly setup some files and he told me how to correct it and even offered to do this for me. WOW!!! I am a raving fan of PhotoShelter.

Here is an earlier post I did back in 2012 on using PhotoShelter for business.

I wrote another blog talking about how their website hosting works. Here is the link to the blog post Is your photography website scalable from Desktop to Mobile?

PhotoShelter has less than 50 employees. It has a very small company feel, which means I feel like they know me.

Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 12800, ƒ/8, 1/80
Joining PhotoShelter gives you other perks, like discounts to these companies:


I personally swear by and use ThinkTank products, PhotoMechanic and Cradoc fotoSoftware.

For any one starting out in photography I would recommend you use PhotoShelter for all your online photography needs. That includes your website, online galleries and stock sales. I also would recommend buying Cradoc's fotoBiz software for similar reasons.

Both PhotoShelter and fotoBiz help you run your business. They have made this super simple for the novice.

I also recommend you get those clients of yours with photo collections to sign up for PhotoShelter's Libris to help them manage and share those assets through a secure online system.

If you are starting out and used PhotoShelter and fotoBiz I can tell you would have jumped about ten years past all my mistakes. Do you want to get an advantage over other pros? Then join PhotoShelter.

Monday, October 05, 2015

Unexpected moments

Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/5.6, 1/250
Sometimes you just walk out the door and you see this. Everyone will grab a camera like these did at a recent event at The Carter Center in Atlanta.


Everyone here is going for their smartphone camera.

Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 5000, ƒ/5.6, 1/250
I was able to zoom in with the AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR and get a much better shot than my phone's camera.

Nikon D750, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 12800, ƒ/8, 1/50
Here I had my camera at the RQN Subway in New York at the 34 Street - Herald Sq Station. I loved the music and it really made me stop and just enjoy a minute or two.

Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 400, ƒ/8, 1/20, Nikon SB-900 -1EV
I also had a really big treat today. I was able to visit with Brad Smith, the director of photography for Sports Illustrated. I dropped off some Chick-fil-A sandwiches from the Grand Opening that just happened in NYC this weekend. I also brought him a few of the Chick-fil-A Cows.

Since I had my cameras and also the Nikon SB-900 I was able to get a nice photo for Brad to keep and for me to have as well.

All this is really just to remind you some of the best photos are the unexpected moment. Will you be ready?

Wednesday, September 30, 2015

Photographer you get the call–Are you ready to go?


Your Go To Bag

Most of my career I have been getting assignments just a day or two before the shoot. I have had a fair number of requests that had me grabbing my bag and running out the door.

Now when you get that call are you ready? I got a call to fly to NYC and to pull this off quickly. Think about all you need to make happen for a shoot that requires travel.

  • Purchase Airfare
  • Book Hotel
  • Book Rental Car
  • Book Photo Assistant
  • Pack clothing bag
  • Pack photo gear

You are also sending emails/texts to your contacts planning your trip as well. You need to know your contact and their Phone #s, email for example and let them know when you will arrive after you have already checked with them about when is best for you to be there.

Streamlining your process is key as having your workflow down for post production.

Every pro has a go to bag that is the first thing you grab for just about every job. This is my #1 bag.

Bag #1 Gear

  • (2) Nikon D4 Cameras – 2 extra batteries and charger
  • Nikon D750 with Grip – 2 extra batteries and charger
  • 14-24mm ƒ/2.8 Nikkor
  • 85mm ƒ/1.8 Nikkor
  • 28-300mm ƒ/3.5-5.6 Nikkor
  • Sigma 70-200mm ƒ/2.8
  • Nikon SB-900
  • Nikon SB-800
  • (2) PocketWizard TT5 
  • PocketWizard mini TT1
  • PocketWizard AC3
  • Battery Charger for AA batteries
  • ExpoDisc
  • Microfiber lens cloth
  • Nikon MC-30A Remote Trigger Release
  • Nikon ML-L3 Wireless Remote Control
  • Shure FP15/83 Lavalier Wireless System
  • RØDE VideoMic Pro
  • (2) Zacuto Z-Finder, Gorilla Plate V2, and Z-Finder 3.2” Mounting Frame for Tall DSLR Bodies
  • ThinkTank Memory Card Holder
  • ThinkTank Airport Security™ V 2.0 Rolling Camera Bag


Often I need to have a run and gun lighting kit or I need two tripods and light stands for video. This is my second bag I grab.

Bag #2 Gear

  • (2) Manfrotto 5001B Nano Black Light Stand - 6.2' (1.9m)
  • (2) Interfit Metal Umbrella Bracket with Adjustable Flash Shoe
  • (2) Cowboystudio 33 inch Photography Studio Translucent Shoot Through White Umbrella
  • (2) Neewer TT850
  • (2) Neewer 433MHz Wireless 16 Channel Flash Remote Trigger
  • (2) ThinkTank Strobe Stuff
  • (2) MagMod flash modifier system
  • Gitzo GT0531 Mountaineer 6X Carbon Fiber Tripod Legs - Supports 11 lbs (5kg) & Manfrotto ball head
  • ProMaster XC525 Tripod

I just put this picture of the ThinkTank Glass Taxi to point that I have a few specialized bags that I grab like this bag for sports. It holds my Sigma 120-300mm ƒ/2.8 DG OS HSM | S, Sigma TC-2001 2x & Sigma TC-1401 1.4X.

What is your go to bag?


It is easier to grab a bag than it is to pack a bag. Take your time to create your primary bag that will let you photograph most of the situations you do on a regular basis. This will be different for each person. You most likely have looked at my list and rolled your eyes. You are probably also wondering why I don't have something in my bag that you consider key to doing great photography.

I think you need a basic lighting kit. I have two basic kits. One is studio strobe kit and the other is a hot shoe kit.

It is better to have a kit ready to go and not worry that you left something at home or the office when you need it on a photo shoot than make the mistake of rushing to pack a bag at the last second.

The cost of an extra bag ready to go is cheaper than the blow to your brand when you cannot deliver for the client.

Monday, September 28, 2015

Using photography to help build a brand

Nikon D4, AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR, ISO 7200, ƒ/9, 1/100
This coming Saturday, October 3rd Chick-fil-A is opening their first store in Manhattan, New York.

My job this past weekend was to capture some of the inside and outside to help everyone who works for Chick-fil-A get a glimpse of the new location.

Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 12800, ƒ/8, 1/250
Here I am trying to capture the street sign of W 37ST so people can get context of where this is located.

Nikon D750, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 12800, ƒ/8, 1/200
I then tried to let you see the other side to show how this is a residential area of NYC.

Not matter how hard I tried the single image just doesn't do it justice. So I did some 360º Panoramic photos of the place. Here is one from the street.


I think the 360 is a lot more engaging and helps you get your bearings as to the location of restaurant better than the single image alone does.

Friday, September 25, 2015

Photographer are you Liked or Loved


Monetizing a Like on Facebook is more important to a freelance photographer trying to make a living than how many likes you can get.


We need to understand a Like on Facebook is someone walking by a newsstand and noticing a headline. Someone may even pick up that publication and glance through it for a moment, but unless they purchase the magazine the photographer will not benefit.


You need to know what this acronym stands for as a business person. ROI is short for Return On Investment.

This means that all the money and time you put into that story will be recovered so that you can pay your bills and continue to do this as a profession.


As you can see Story and ROI applies to a profitable business but likes will not alone make you money.

Lately more of my friends are facing layoffs from working on staffs as photographers, writers and designers. While we can point to many reasons these organizations are having to downside, I think it is very wise for those losing their jobs to evaluate if their work they performed had an impact on ROI.

It is very difficult to connect communications to a ROI, but shouldn't we as creatives be concerned if after all we have done on a story that the company is still loosing money? Shouldn't we be more concerned that the content we are producing no one is buying?

Whose the Audience?


I believe way too many communications experts are more interested in if their colleagues like their work than if the client and their audience like their work.

I think we need to be very much aware of what the audience wants to consume and at the same time be forward thinking about things we think they need to know about. Have we put too much emphasis on what we think is important over what they think is important?

Are you producing work for industry awards or for the customer?

Personal Project


Now this may seem extremely narcissistic and counter to all my comments above, but we need to spend time producing work from our heart as well. Find something you are passionate about and take your time and really do your very best work to tell the story.

Show the world what you can do when you have no restrictions. You will need to fund this yourself, but when you are done you will finally have something to show people about what is possible. You will show people your style and abilities.

Once you have done this personal project then analyze it to see how this approach can be a great ROI for an audience and client. I think it is easier to figure out the audience first and then find a client that is interested in that audience that could use your approach.

When picking your personal project be sure and think through the hypotheticals. If I produced what I think might work then who is the audience that would WANT this and what client can USE this to justify their ROI?

Liked or Loved?


When people buy what you produced you are LIKED and LOVED

Wednesday, September 23, 2015

Patience Grasshopper [Patience Photographer]

Nikon D3S, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 200, ƒ/7.1, 1/100

Sunset Photos


Timing is crucial when shooting sunsets. Here the sun just barely dipped below the horizon and the sky is still getting light from the sun that is visible.

Nikon D3S, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 200, ƒ/7.1, 1/100
Nine minutes later the sun is having very little impact on the sky.

Nikon D4, AF-S NIKKOR 14-24mm f/2.8G ED, ISO 12800, ƒ/8, 1/100
Here in Chicago I just wanted a dark blue sky so that the lights of the city popped, but the edges of the building were still visible.

Nikon D750, Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 160, ƒ/7.1, 1/160
As the sun is setting I was taking this photo in Seattle of the skyline. By just waiting for seventy-eight minutes later I was able to capture this photo from the same spot.

Nikon D750, Sigma 70-200mm f/2.8 EX DG APO OS HSM, ISO 100, ƒ/8, 6.2 sec
Finally the lights in the city are brighter than the sky allowing for them to create a more powerful photo.

Dusk Photo Tips

  • Pick your location an hour before sunset
  • Use tripod
  • Use low ISO
  • As the sun goes down shoot lots of photos
  • Shoot good 20 to 30 minutes after the sun disappears below the horizon