 |
| Nikon D4, ISO 12,800, ƒ/5, 1/100, 28 - 300mm [No Flash] |
While I enjoyed seeing the set and took many photos. I took this shot and then put my wife and daughter into the photo.
 |
| Nikon D4, ISO 12,800, ƒ/5, 1/100, 28 - 300mm [No Flash] |
I had my wife and daughter get as close to the camera as possible without totally blocking the background.
The diagram shows how their was neon sign lighting my wife and daughter just over my shoulder.
Had we had more time and no one else in the room with us I might have tried a few other angles.
 |
| Nikon D4, ISO 12,800, ƒ/5, 1/100, 28 - 300mm [No Flash] |
My tip is simple, first compose the background and then get the people as close to the camera as possible. This means they are most likely between three to five feet from the camera at the most.
 |
| Nikon P7000, ISO 128, ƒ/2.8, 1/250, -1 EV flash |
Earlier we went to Disneyland. Here I just carried my Nikon P7000. I have a already programs my U1 [User Setting 1] where the flash is -1 EV. So in this last photo I used similar technique and got everyone close to the camera. I popped up the on camera flash and because we are so close to each other the subjects faces don't have those nasty raccoon eyes due to the sun directly overhead.
So the only last tip is to use a flash outside to fill in those shadows.
2 comments:
I love this idea, the only issue is stretching features shooting wide. It really exagerrates arms and size, and even facial features.
Only if you put them on the edges. By the way most sitcoms are shot pretty wide to make the set appear bigger than they really are.
Just watch friends and see how many steps the front door is from the couch.
Post a Comment